#139 - from 25 June 2009 to 1 July 2009


Rédacteur en Chef
Rafael Pic
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IN THE AIR

The other Mitterrand

To invite into his conservative government the nephew of a former socialist president, who claims though to be the depositary of his uncle’s memory, is in itself a true artistic figure. But yes, Sarkozy did it! Frédéric Mitterrand is now the new Minister of Culture, to the great delight of Anglo-Saxon newspapers such as the Guardian who see in the Mitterrand family what most resembles a royal dynasty. Now, what policy is he going to carry out? The new minister, who is leaving his chair at Villa Médicis in Rome, is as cryptic as his ancestor. He is known for his love of books and of animated images – he managed movie houses in Paris, among them the Entrepôt, had television shows and produced a few poetic movies such as Lettres d’amour en Somalie. There is less information regarding his program in terms of the defence of national heritage, the promotion of the performing arts or the support to the visual arts. No one is really surprised, since it has been obvious for some time now that the media buzz makes up efficiently for the absence of concrete projects.

EXHIBITIONS

To paint Céret

CÉRET – Certain venues have a special aura in the history of modern art: The Estaque, Giverny, Auvers-sur-Oise… Céret, the small Catalan village, may be admitted to the club. With its neighbor Collioure, located on the coast, it has indeed hosted the Gotha: Picasso, Braque and Gris, of course. But Kisling, Soutine, Picabia, Herbin, Masson, Maillol as well… Locals follow these pioneers with interest: one of the local patrons will be Michel Aribaud, a wine merchant, who later donated his collection to the museum. These nearly 140 paintings show us today how the landscapes, combining mountains, cypresses, bridges, fountains and convents, have been interpreted numerous times. The thread is not broken either: today François Bioulès, Tàpies or Tom Carr still keep the flame burning.

  • Céret, un siècle de paysages at the musée d’Art moderne, until 31 October 2009.

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  • Ensor in America

    NEW YORK – The American press has listed the exhibits that have been cancelled or re-scheduled due to the recession. The Los Angeles Times has counted no less than eight for the sole three large museums of the Californian metropolis. Fortunately not all the schedules have been moved around. As planned, scathing artist James Ensor will disembark at the MoMA prior to his passage this fall at the musée d’Orsay in Paris. His masterpiece Christ’s entry into Brussels, will be absent (unmovable, precisely from Los Angeles, where it is exhibited at the Getty Museum), but a good series of masks, of skulls, self-portraits, and sea baths will be among the 120 pieces presented. The accent is put on the use of mockery in the vitriolic painting of Belgian (and European) society at the end of the XIXth century, when the Bourgeoisie shows off like an obscene gallery of spectres.

  • Ensor at the Museum of Modern Art from 28 June to 21 September 2009.

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  • Miró in a French garden

    SAINT-PAUL-DE-VENCE – If there is one spot where it makes sense to hold a retrospective on Miró, it’s at the Fondation Maeght. The friendship between Miró and Aimé Maeght goes back to 1948 when the gallery owner encountered the Catalan artist at Braque’s, in Varengeville, and encouraged him to get into engraving. This friendship lasted all of their lives: in 1979, fifteen years after the Foundation was inaugurated, Miró donated a significant ensemble of works of art. He knew the place well as he had created a sculpture garden there, the Miró Labyrinth , still visible, which combines a Lunar bird, a Lizard, a Woman with hair undone … The abundant retrospective – in total, over 250 pieces – brings face to face works from the Foundation to those of the Centre Pompidou and other collections.

  • Miró en son jardin at the Fondation Maeght, from 27 June to 8 November 2009

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  • Artoftheday also recommends...

  • At the museum of Beaux-Arts in Orléans, which has a very beautiful fund of prints Daumier et la caricature politique traces 40 years of the artist’s committed creation. From 26 June to 27 September 2009

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  • To celebrate the artist’s centennial, Henri Cartier-Bresson, à vue d’œil is meant to be a stroll, on the themes of Paris and Europe, through the 320 snapshots the Maison européenne de la photographie has by the artist. Until 30 August 2009

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  • Henri de Warocquier, sculpteur (1881-1970) at the Piscine de Roubaix offers a renovation of the artist’s work, known in particular for his decorations of the Palais de Chaillot in Paris and his sculpted faces with tragic traits. Until 18 October 2009

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  • AUCTIONS

    The wonder of robots

    PARIS - The charm of Drouot lies, not in the large themed auctions for which the Anglo Saxon auctioneers have become unbeatable, but rather the generalist sales. Amateurs may find treasures and the browser will be fascinated by the infinite variety of the lots. The Baille-Robert sale on 26 June is a good example of this. We will feast of silver plates by Picasso, tapestries from Aubusson, pin boxes, an ivory helmet, an elephant tusk sculpted in the form of a monkey, Russian icons, naïf paintings by Fernand Boilauges, a beautiful Domergue (his Elégante au miroir), three works by Edy-Legrand, the fashionable Orientalist painter, erotic photographs by Pierre Molinier… To further enrich this offer of wonders, there are also XIXth and XXth century robots, of which some are by Renou. Estimated between 1000 and 3000 euros, some of them are operational such as the butterfly chaser, the narguileh smoker or the tightrope walker with porcelain eyes and satin clothes, who performs acrobatics one after another at the top of his ladder.

  • Tableaux, meubles, objets d’art (Paintings, furniture, objects of art) at Richelieu-Drouot (SVV Robert-Baille) on 26 June 2009 at 2:00 PM

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  • ARTIST OF THE WEEK


    Jean-Bernard Métais, Temps imparti/Eclipse, installation presented at the jardin des Plantes, in Paris, from 1999 to 2002.

    Jean-Bernard Métais and city art

    We can well remember his giant, 40-ton sand clock, set up for three years at the Jardin des Plantes in Paris for the solar eclipse in 1999: time was then the great sculptor. The material, by dripping slowly, modelled uncertain pyramids. The operation is renewed at the city of Le Mans, under the name of Temps imparti/Eclipse (Time allocated/Eclipse). Jean-Bernard Métais feels particularly at ease in the urban setting: he is an artist who likes to set up strong signs on the roadways, in parks, along rivers. Valenciennes has consequently been rewarded a 45- meter vertical needle (not very

    foreign from the Needle by Ian Richie in Dublin) and Luxembourg has a Passe-muraille, a bronze installation with more eyes than Argus’ dog: 8000 holes representing just as many light holes. Water, sand, vibrations as well as words, all of Métais’ works are puzzles or plastic poems. His next projects include a «word wave» in London and «fluorescences» in Japan.

  • The sculpture Eclipse/Temps imparti inaugurated on 25 June 2009 at Le Mans, in the Tessé park.

    The website of Jean-Bernard Métais

  • BOOKS

    Reviewing a plundering

    Once they had occupied France, how did the Germans chose the art works they wanted to confiscate? Why did the works go through the Jeu de Paume? What role did the moving company Schenker play in their being sent to Germany? This update of a now classic study reviews a few exemplary cases such as those of the Rothschild or Bernheim Jeune collections, or the 333 works from the Schloss fund, and shows how certain art dealers, such as Paul Rosenberg, spent years, after the Liberation, trying to rebuild their patrimony, with limited success. It also shows another aspect of the great plundering: not everything ended up in the German safes. Gallery owners, active in countries beyond a suspicion of a doubt –such as Switzerland - made a very juicy profit through a very loose set of laws. Vermeer’s Astronomer, dear to Hitler, the Lion with a serpent by Delacroix, the Portrait of young girl by Cranach are but a few of the thousands of paintings that underwent this bleeding and whose history is hinted at throughout this investigation.

  • Le musée disparu, enquête sur le pillage d’œuvres d’art en France par les nazis (English version: The Lost Museum: The Nazi Conspiracy to Steal the World's Greatest Works of Art, HarperCollins) by Hector Feliciano, Gallimard, 2009, 400 p., 32 €, ISBN : 978-2-07-076275.

    Buy that book from Amazon

  • IN BRIEF

    CAIRO – Zaha Hadid has won the contest for a district of towers, Stone Towers, in stylized vegetable forms.

    The article on Archdaily

    LEIPZIG – The 3d International Photography Festival of Leipzig will be held from 1 to 7 July 2009.

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    LONDON – «Pop Will Eat Itself», inaugurated on 25 June 2009 at Piccadilly Circus, is the first of a series of commissions made to contemporary artists for the London Underground.

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    MELLE (Poitou-Charentes) –The 4the international biennale of contemporary art of Melle will be held from 27 June to 30 August 2009, on the theme «Etre arbre être nature» (Be a tree be nature), with installations by 24 French and foreign artists.

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    PARIS – During the sale on 17 June 2009 at Drouot (SVV Mathias), the record for a Thinker by Rodin was broken, at 2.56 million euros. It is also the highest bid of the year at Drouot.

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    PARIS – The hôtel Salomon de Rothschild, the headquarters of the Fondation nationale des arts graphiques et plastiques, will reopen its garden on 25 June 2009, after being closed for a year, with an installation by Françoise Petrovitch.

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